Monday, March 21, 2016

Rhythms and Refrains


I have been reading Virginia Woolf’s The Years. Throughout a narrative structuring device is the rhythms of the seasons and of nature and weather. I relate this to what we have been talking about in class recently in relation to Guattari’s notion of rhythms and refrains and how we might connect our own existences to these rhythms. These two excerpts occur in sequence in the novel and I think demonstrate this thinking beautifully.

"It was raining. A fine rain, a gentle shower, was peppering the pavements and making them greasy. Was it worth while opening an umbrella, was it necessary to hail a hansom, people coming out from the theatres asked themselves, looking up at the mild, milky sky in which the stars were blunted. Where it fell on earth, on fields and gardens, it drew up the smell of earth. Here a drop poised on a grass-blade; there filled the cup of a wild flower, till the breeze stirred and the rain was spilt. Was it worth while to shelter under the hawthorn, under the hedge, the sheep seemed to question; and the cows, already turned out in the grey fields, under the dim hedges, munched on, sleepily chewing with raindrops on their hides. Down on the roofs it fell--here in Westminster, there in the Ladbroke Grove; on the wide sea a million points pricked the blue monster like an innumerable shower bath. Over the vast domes, the soaring spires of slumbering University cities, over the leaded libraries, and the museums, now shrouded in brown holland, the gentle rain slid down, till, reaching the mouths of those fantastic laughers, the many-clawed gargoyles, it splayed out in a thousand odd indentations. A drunken man slipping in a narrow passage outside the public house, cursed it. Women in childbirth heard the doctor say to the midwife, "It's raining." And the walloping Oxford bells, turning over and over like slow porpoises in a sea of oil, contemplatively intoned their musical incantation. The fine rain, the gentle rain, poured equally over the mitred and the bareheaded with an impartiality which suggested that the god of rain, if there were a god, was thinking Let it not be restricted to the very wise, the very great, but let all breathing kind, the munchers and chewers, the ignorant, the unhappy, those who toil in the furnace making innumerable copies of the same pot, those who bore red hot minds through contorted letters, and also Mrs Jones in the alley, share my bounty.

It was raining in Oxford. The rain fell gently, persistently, making a little chuckling and burbling noise in the gutters. Edward, leaning out of the window, could still see the trees in the college garden, whitened by the falling rain. Save for the rustle of the trees and the rain falling, it was perfectly quiet. A damp, earthy smell came up from the wet ground. Lamps were being lit here and there in the dark mass of the college; and there was a pale-yellowish mound in one corner where lamplight fell upon a flowering tree. The grass was becoming invisible, fluid, grey, like water. "


3 comments:

  1. I love this, thank you for sharing. Very interesting to think rhythms/ refrains/ motifs/ metaphors through an ecological rather than binary/comparison perspective. Deleuze has a great essay about this somewhere that I can never recall the name of. This also reminds me of a Virginia Woolf quote I read in an Alison Bechdel graphic novel- "What a disgraceful lapse! Nothing added to my disquisition, & life allowed to waste like a tap left running. Eleven days unrecorded."

    It always makes me anxious about my inability to record my days! My whole life, down the drain;)

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  2. I started thinking of Virginia Woolfe's writing as well, after reading the Three Ecologies, and our last lass together!

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